Other notable published work is also included in this gallery.
This gallery includes books published in 1974, 1976, 1977, 1979, 1982, 1983, 1984, 1985, 1986, 1987, 1989, 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 and 2018.
Schiller, Hegel, and Marx: State, Society, and the Aesthetic Ideal of Ancient Greece (McGill-Queen's Studies in the History of Ideas)
Philip J. Kain
All three believed that the modern world could be remade according to this model, though none succeeded in his endeavor. At times Schiller seemed to recognize the failure of the model; in his mature writing Hegel dropped the model; and Marx, as he grew older, fundamentally modified the model. Nevertheless, focusing upong their attempts and failures allows an explanation of certain aspects of one of the fundamental concerns of current Marx studies: Marx's humanism and the relationship between his earlier and later thought. Using this approach, Kain shows that Marx's development cannot be divided into two neat periods - an early humanistic or philosophical period and a later scientific period - as some scholars argue, nor can one argue for an essential unity to his thought as other scholars do. Instead Kain finds Marx continually shifting his views in his attempt to come to grips with the issues that concern him. But Kain also finds a deep-seated humanism in Marx's later writings which grows out of, but differs from, the humanism of his early work.
Barbara Molony and Merry I. White
Sandra M. Schneiders
Steven M. Gelber, Lydia Modi Vitale, and de Saisset Art Gallery and Museum
Traditionally, the years of the New Deal projects have been treated as a part of the "Depression experience" with an emphasis on their economic and social dimensions. Until recently, sporadic interest in the art of the period has usually focused on individual artists, not general movements in the art of the time. This has been particularly true in the western states.
The purpose of the New Deal Art: California exhibition was to create an overview of the New Deal art projects by bringing together examples of art from the federal art programs in California.
New Deal Art: California came about as the result of a chance remark made, by Dr. Francis V. O'Connor, Art Historical Consultant, on his first trip to the de Saisset Art Gallery and Museum in 1971. The original exploratory research he did revealed a wealth of information about California's contribution to the Works Progress Administration's Federal Art Project and the Treasury Programs.
Dr. O'Connor's initial work helped provide the foundation for two years of subsequent research into the historical and aesthetic climate that gave birth to New ,Deal Art in California. The results of our explorations, in both quantity and quality of resources, has far exceeded our original expectations.
Steven M. Gelber
A study of changes in American business attitudes concerning the recruitment of blacks since World War II relates black employment problems to the businessman's concept of his role in society.