The Department of Art and Art History offers majors in studio art and art history leading to the Bachelor of Arts degree. Both majors integrate theory with practice, so that students choosing studio art will acquire a foundation in art history and those studying art history will acquire practical experience in the process of making art.
Submissions from 2020
12-06-20 Pickering House Lecture: Andrea Pappas, Andrea Pappas
Submissions from 2016
Greek illuminated Gospels, Kathleen Maxwell
Illustrated Byzantine Gospel Books, Kathleen Maxwell
The Textual Affiliation of Deluxe Byzantine Gospel Books, Kathleen Maxwell
Submissions from 2015
'Each Wise Nymph that Angles for a Heart': The Politics of Courtship in the Boston 'Fishing Lady' Pictures, Andrea Pappas
Submissions from 2014
The Afterlife of Texts: Decorative Style Manuscripts and New Testament Textual Criticism, Kathleen Maxwell
In Search of a Jewish Audience: New York’s Guild Art Gallery, 1935-1937, Andrea Pappas
Mark Rothko, No. 5/No. 22, Andrea Pappas
Submissions from 2011
Seeing the Homeless: Photography and Self-Determination, Andrea Pappas
Submissions from 2008
Eye on the Sixties, Vision, Body, and Soul: Selections from the Collections of Harry W. and Mary Margaret Anderson., Andrea Pappas
Angel in the Architecture: Course Management Software and Collaborative Teaching, Andrea Pappas, Stephen Carroll, and Dolores laGuardia
Introduction to Teaching Art History with New Technology: Reflections and Case Studies, Andrea Pappas, Kelly Donahue-Wallace, and Laetitia La Follette
Submissions from 2007
Haunted Abstraction: Mark Rothko, Witnessing and the Holocaust in 1942, Andrea Pappas
Submissions from 2004
Invisible Points of Departure: Reading Rothko’s Christological Imagery, Andrea Pappas
Submissions from 2003
Painting in the Subjunctive Mode: Inez Storer and the Art of Possibilities, Andrea Pappas
Post-Natural Eco-Systems: Technological Interventions in the California Landscape, Andrea Pappas
Submissions from 2002
Mathews and Taylor, Armenian Gospels of Gladzor, Kathleen Maxwell
Kristen Swinth, Painting Professionals: Women Artists and the Development of Modern American Art, 1870-1930, Andrea Pappas
The Picture at Menorah Journal: Making "Jewish Art", Andrea Pappas
Tradition and Innovation at the Poindexter Gallery, Andrea Pappas
Submissions from 2001
Patrolling the Borders: Gender Analysis in a Transcultural Artistic Context, Andrea Pappas
Submissions from 2000
Paris, Bibliotheque Nationale de France, Codex Grec 54: Modus Operandi of Scribes and Artists in a Palaiologan Gospel Book, Kathleen Maxwell
Submissions from 1999
The Lower Wall Lunettes of the Parma Baptistry: The Identity of the Subject of the Missing Lunette and Iconographical Connections with the Cupola Program, Kathleen Maxwell
Submissions from 1998
James, Liz. Light and Color in Byzantine Art, Kathleen Maxwell
Submissions from 1997
Review of Sirarpie Der Nersessian, Miniature Painting in the Armenian Kingdom of Cilicia from the Twelfth to the Fourteenth Century, Kathleen Maxwell
Submissions from 1996
A Textual Source for the Prophet Zone of the Parma Baptistry Cupola, Kathleen Maxwell
Submissions from 1994
Armenian Additions to a Greek Gospelbook: Brescia, Biblioteca Civica Queriniana A.VI.26, Kathleen Maxwell
Review of Art History and Education by Stephen Addiss and Mary Erickson, Andrea Pappas
Submissions from 1993
Review of The Twilight of Byzantium, edited by Slobodan Curcic and Doula Mouriki, Kathleen Maxwell
Submissions from 1992
Review of Ioannis Spatharakis, The Left-handed Evangelist. A Contribution to Palaeologan Iconography, Kathleen Maxwell
Observations on the Ancestor Cycle of the Sistine Chapel Ceiling, Andrea Pappas
Ovidian Manners: Hendrick Goltzius and the Metamorphoses, Andrea Pappas
Submissions from 1991
John McCracken, Andrea Pappas
Submissions from 1987
Review of Anthony Cutler, Aristocratic Psalters in Byzantium, Kathleen Maxwell
Submissions from 1983
Another Lectionary of the ‘Atelier’ of the Palaiologina, Vat. gr. 352, Kathleen Maxwell
